Artists Sermon Illustrations

Artists Sermon Illustrations

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Hogarth

A nobleman, not remarkable for generosity, sent for Hogarth and desired that he would represent on one of the compartments of his staircase, Pharoah and his host drowned in the Red Sea. At the same time he hinted that no great price would be given for the performance. Hogarth however agreed. Soon afterwards he applied for payment to his employer, who seeing that the space allotted for the picture had only been daubed over with red, declared he had no idea of paying a painter when he had proceeded no farther than to lay his ground. "Ground!" exclaimed Hogarth, "there is no ground in the case, my lord, it is all sea. The red you perceive is the Red Sea. Pharoah and his host are drowned as you desired, and cannot be made objects of sight, for the sea covers them all."


Tantara, the celebrated landscape painter, was a man of ready wit, but he once met his match. An amateur had ordered a landscape for his gallery, in which there was to be a church. Our painter did not know how to draw figures well, so he put none in the landscape. The amateur was astonished at the truthfulness and colouring of the picture, but he missed the figures. "You have forgotten to put in any figures," said he, laughingly. "Sir," replied the painter, "the people are gone to mass." "Oh, well," replied the amateur, "I will wait and take your picture when they come out."


Chantrey's First Sculpture

Chantrey, when a boy, used to take milk to Sheffield on an ass. To those not used to seeing and observing such things, it may be necessary to state that the boys generally carry a good thick stick, with a hooked or knobbed end, with which they belabour their asses sometimes unmercifully. On a certain day, when returning home, riding on his ass, Chantrey was observed by a gentleman to be intently engaged in cutting a stick with his penknife, and, excited by curiosity, he asked the lad what he was doing, when, with great simplicity of manner, but with courtesy, he replied, "I am cutting old Fox's head." Fox was the schoolmaster of the village. On this, the gentleman asked to see what he had done, pronounced it to be an excellent likeness, and presented the youth with sixpence. This may, perhaps, be reckoned the first money Chantry ever obtained in the way of his art.


Artist: "I'd like to devote my last picture to a charitable purpose."
Critic: "Why not give it to an institution for the blind?"


"Wealth has its penalties." said the ready-made philosopher.

"Yes," replied Mr. Cumrox. "I'd rather be back at the dear old factory than learning to pronounce the names of the old masters in my picture-gallery."


Critic: "By George, old chap, when I look at one of your paintings I stand and wonder—"

Artist: "How I do it?"

Critic: "No; why you do it."


He that seeks popularity in art closes the door on his own genius: as he must needs paint for other minds, and not for his own.—Mrs. Jameson

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